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Literary studies

All lectures: All lectures at the Academy of Intelligence on the discipline: literary studies. These fascinating lectures provide us with the opportunity to explore the deep principles and phenomena underlying our knowledge and our desire to understand the world.
1. The narrative archetype
2. The monomyth (the single myth, the hero's journey, the quest) as one of the archetypal plots; Campbell's Seventeen Stages
3. Morphology of the Folktale
4. 1. The subject and tasks of the course in literary studies
5. 3. Scholarly methods and schools in literary studies
6. 3. Literature as a form of art: how literature differs from other arts. Lessing on the specificity of literature
7. 4. Content and form of a literary work; the meaningfulness of form
8. 5. The regularities of literary existence
9. 6. Literary creativity
10. 7. Artistic talent
11. 8. The historical-literary process, historical epochs, and literary movements
12. 9. Literary style and its stylistic varieties
13. 10. Comparative studies. Phenomenology. Literary hermeneutics. Reception aesthetics
14. 11. The poetics of a literary work and the foundations of versification
15. 12. The artistic language of literature
16. 13. Art as the figurative reproduction of reality: the specificity of art and its difference from science
17. 14. The concept of interpretation in literary studies
18. 15. The artistic image as one of the basic concepts of literary studies: its structure, characteristics, and varieties
19. 16. Artistic truth and convention in art
20. 17. The literary work as an ideological-aesthetic whole and an integral image of the world, and its criteria
21. 18. The conceptual level of a literary work: theme, thematics, problem, problematics
22. 19. The conceptual level of a literary work: the world of ideas and its components
23. 20. Artistic space and time. The chronotope
24. 21. The concept of the subjective organization of a work. The subject of speech and the subject of consciousness
25. 22. Personal narration and its varieties, their artistic possibilities. The relationship and separation of narrator and author in personal narration
26. 23. Impersonal narration. The relationship between the «author's zone» and the «characters' zone» in impersonal narration
27. 24. Skaz and its functions in a work. Skaz and the problem of the author
28. 25. The object world of a literary work: landscape, interior, portrait, thing
29. 26. Artistic detail and particularity in a literary work
30. 27. Psychologism in literature
31. 28. Hero, character, and personality in a literary work
32. 28. The problem of the author in a literary work; the writer's creative individuality
33. 29. Plot and conflict in a literary work. The relationship of plot to reality and to the fabula
34. 30. The composition of a literary work
35. 31. Language as a fundamental concept of literature: colloquial, literary, and poetic language, and the language of the epic
36. 32. The figurative and expressive means of poetic language
37. 33. Tropes: epithet, simile (similarity and difference), metonymy, litotes, hyperbole, periphrasis, irony
38. 34. The syntax of poetic speech
39. 35. The sound organization of verse speech
40. 36. Systems of versification: song-tonic and syllabic versification, the syllabo-tonic system, the tonic system
41. 37. Verse speech. Its difference from prose speech
42. 38. The concept of rhyme. Types of rhyme
43. 39. The strophic organization of artistic speech
44. 40. The literary genus. Lyric, epic, drama, lyric-epic
45. 41. Inter-generic and extra-generic forms of literature
46. 41. The concept of genre in literary studies
47. 42. The concept of creative method. The basic principles of the artistic comprehension of reality
48. 43. Realism in literature — the truthful depiction of actual reality
49. 44. Romanticism in literature
50. 45. Sentimentalism in literature
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